David Mamet Argues Profanity Has Lost Its Original Power in New Free Press Essay

Pulitzer Prize-winning playwright and author David Mamet has published a new essay titled "Back When We Gave a Fuck" on The Free Press, an independent media outlet. The piece, announced via The Free Press's social media, delves into the historical and evolving use of profanity, specifically the "F-word," arguing that its contemporary usage has diminished its original impact and intent. Mamet’s reflection offers a critical perspective on language, culture, and the shifting landscape of societal expression.

In his essay, Mamet posits that in earlier times, the "F-word" functioned as a powerful rhetorical device, often employed to "accentuate or embellish" or as a direct "challenge to fight." He illustrates this by referencing the language in his own seminal plays, American Buffalo (1975) and Glengarry Glen Ross (1983), which he states were written in the "profane language of the Chicago streets." Mamet notes that critics' accusations of him transcribing real-life speech were, to him, a compliment, as he aimed to imagine himself into the situations of those he depicted.

Mamet further explores the etymology of "profane," deriving from the Latin for "outside the temple," and contrasts its traditional association with the unholy and excommunication by the Church with its street-level application. He emphasizes that for "the actual folk," the F-word served as a rhetorical tool rather than a mere curse. His personal anecdotes detail finding inspiration for his writing among:

fellow cab drivers, our customers, in their infinite variety, the hustlers and thieves I met in the North Side poolrooms and poker games.

The Free Press, founded by Bari Weiss, positions itself as a platform committed to "Honest. Independent. Fearless." journalism, frequently publishing commentary that challenges conventional narratives. The outlet's mission is to support independent voices and critical thought, a space where Mamet, also known as their "beloved in-house cartoonist," regularly contributes. His latest essay aligns with the publication's focus on cultural critique and the examination of societal trends, reinforcing its role in fostering robust public discourse and encouraging subscriptions to support its independent journalism model.