Director Joseph Kahn Decries 'Mess' of Social Media Film Criticism

Filmmaker Joseph Kahn has sharply criticized the current state of film criticism, labeling it a "social media jumble" dominated by a diverse, often unqualified, array of online voices. In a recent social media post, Kahn expressed his view that the landscape is populated by individuals who "all believing they are the better Yorgos Lanthimos." This statement highlights a growing debate about the impact of digital platforms on critical discourse.

"Film criticism is a mess. It's a social media jumble of 12 year olds, disgruntled film students, part time activists/baristas, laid off drunk sports writers, couples therapy podcasters in denial about the furry husband, all believing they are the better Yorgos Lanthimos," Kahn stated in the tweet.

Kahn, known for directing numerous high-profile music videos and films, has a history of outspoken commentary on social media. His remarks underscore a sentiment shared by some industry figures regarding the democratization of film critique, where traditional critical authority is increasingly challenged by widespread amateur opinions.

The rise of platforms like Twitter, Instagram, and TikTok has reshaped film discourse, allowing instant reactions and viral opinions to influence public perception. This shift blurs the lines between professional critics and general moviegoers, with user-generated reviews often gaining significant traction, sometimes even more than expert analyses, as noted in recent studies on social media's influence on film.

This digital transformation presents challenges for established critics, who must now navigate a fast-paced online environment where the sheer volume of opinions can dilute nuanced discussions. While social media offers new avenues for engagement, it also fosters phenomena like review bombing and the amplification of certain voices, complicating the landscape for both filmmakers and audiences seeking credible insights.

Yorgos Lanthimos, an acclaimed Greek filmmaker known for his distinctive and often surreal cinematic style, represents a benchmark of artistic originality in Kahn's critique. The director's use of Lanthimos's name suggests a perceived overconfidence or lack of genuine critical insight among those contributing to the "jumble" of online film commentary. The ongoing evolution of online platforms continues to redefine how film is discussed, reviewed, and received by the public.