Man's Revelation of Fleetwood Mac's 'The Chain' Instrumental Section Becomes Subject of The Onion Satire

BOSTON – A recent satirical report from The Onion details the profound experience of local man Peter Verran, who, believing Fleetwood Mac's 1977 rock anthem "The Chain" had concluded, was reportedly "in for the thrill of his fucking life" upon discovering the song's extended instrumental passage. The widely shared piece humorously chronicles Verran's unexpected journey into the track's iconic, resurgent bass line and subsequent guitar solo.

According to the satirical article published on November 24, 2025, Verran had mistakenly interpreted the song's initial fade-out at the three-minute mark as its end. The Onion's report suggests he was "completely oblivious to the mind-blowing guitar solo and electrifying vocals that would imminently surpass the emotional highs he had felt while skydiving, attaining orgasm under the influence of ecstasy, and witnessing the birth of his firstborn child." This narrative highlights the song's enduring power and the unexpected joy it can bring to listeners.

The Onion, known as "America's Finest News Source," is a prominent satirical digital media company that publishes articles parodying traditional news formats. Its content often presents mundane or absurd events with a straight-faced journalistic tone, aiming to entertain and offer social commentary. The publication has a long history of creating viral content by tapping into shared cultural experiences, such as the unexpected depth of a classic rock song.

Fleetwood Mac's "The Chain," from their seminal album Rumours, is particularly famous for its instrumental break, which builds from a distinct bass riff into a powerful guitar solo. This section has become a celebrated part of the song's legacy, often used in media and recognized for its dramatic and emotionally charged progression. The Onion's article playfully taps into this widespread appreciation, imagining a listener's intense reaction to this musical revelation.

The satirical piece concludes with Verran reportedly entering "a state of trancelike, beatific bliss" and realizing that "side two of Rumours was just fucking getting started." This final flourish underscores the humorous exaggeration typical of The Onion, while also nodding to the album's overall acclaim and the immersive experience it offers to listeners.