Self-Published Author Paul Millerd Highlights "Gate" in Speaking Industry, Citing Acquisition Pitch Discrepancy

Author Paul Millerd recently voiced concerns on social media regarding the significant hurdles self-published writers face in securing speaking engagements, despite their work being recognized for other opportunities. Millerd, known for his book "The Pathless Path," indicated that the ability to speak publicly was a core component of a pitch for acquiring his book's rights, a role he personally prefers to avoid.

"This was the core part of the pitch for acquiring the rights to my book. But I just wanted to write not speak," Millerd stated in a recent tweet. He further elaborated on the systemic barrier, adding, "I think it’s very hard to land speaking gigs though as a self published author. It’s very clear there is still a gate in that world." This observation points to a perceived disparity between the value placed on a self-published author's content and their access to public speaking platforms.

Paul Millerd is an independent writer and creator, exploring themes of work, ambition, and meaning, with "The Pathless Path: Imagining a New Story For Work and Life" being a bestselling title. His work has garnered a substantial audience, yet his experience suggests that traditional publishing structures or established networks still heavily influence opportunities in the speaking circuit. Self-published authors often manage all aspects of their careers, from writing and editing to marketing and distribution, without the institutional backing of a major publisher.

Industry analysis confirms that self-published authors frequently encounter challenges in gaining visibility and credibility for speaking roles. While a book can establish an author's expertise, securing paid speaking engagements often requires a pre-existing platform, agent representation, or a traditional publishing deal that lends institutional weight. This "gate" can limit opportunities for authors who opt for independent publishing routes, despite their literary success and potential to engage audiences.