Vivienne Medrano, widely known by her online alias VivziePop, is a prominent Salvadoran-American animator, writer, and director, celebrated as the creative force behind the highly successful animated series Hazbin Hotel and Helluva Boss. While her professional life and artistic endeavors are openly shared with her vast fanbase, Medrano has consistently maintained a distinct boundary when it comes to her personal romantic life. Her approach to relationships remains notably private, with very little publicly disclosed information about her dating history or partners.
Medrano is openly lesbian, a fact that has been acknowledged in various fan communities and online discussions. However, beyond this aspect of her identity, details regarding her romantic relationships, whether past or present, have been kept out of the public domain. This stands in contrast to many public figures whose romantic timelines are often a subject of media scrutiny and public interest.
Throughout her rise to prominence, from her early work on the webcomic ZooPhobia to the global success of her animated series, Medrano has prioritized her creative projects and her connection with her audience through her work. Her social media presence and interviews predominantly focus on her animation, character development, and the growth of her studio, SpindleHorse Toons. She has not used these platforms to share details about her romantic partnerships.
Sources and reports consistently indicate that Vivienne Medrano has never publicly discussed her love life or any specific partners. This deliberate privacy suggests a preference for keeping her personal relationships separate from her public persona. As of recent reports, she is understood to be not currently in a relationship, further underscoring the private nature of her romantic journey.
While the public may be curious about the personal lives of their favorite creators, Medrano's choice to maintain a private romantic sphere is a testament to her dedication to her craft and her desire to control her personal narrative. Her focus remains squarely on delivering compelling storytelling and animation, allowing her work to speak for itself, rather than her relationships. This consistent privacy means that a detailed chronological account of her romantic history, as might be found for other public figures, does not exist in the public record. Her romantic journey, therefore, remains largely a private matter, known only to those closest to her.