
New York City's theater scene recently welcomed two distinct and highly anticipated productions, drawing significant critical attention. Broadway veteran Kristin Chenoweth stars in a new musical exploring opulent excess, while acclaimed playwright Anne Washburn presents a thought-provoking post-apocalyptic drama. As noted by The New Yorker, "The Broadway veteran Kristin Chenoweth stars as a Marie Antoinette wannabe in a musical about excess, and Anne Washburn goes post-apocalyptic with 'The Burning Cauldron of Fiery Fire.'"
Kristin Chenoweth leads "The Queen of Versailles," a new musical that officially opened on Broadway at the St. James Theatre on November 9, 2025. Based on the 2012 documentary, it delves into the lives of timeshare mogul David Siegel and his wife Jackie, as they construct one of America's largest private homes amidst the 2008 financial crisis. Chenoweth's compelling portrayal of Siegel, described as a "Marie Antoinette wannabe," navigates extreme wealth and its societal implications.
The musical features music and lyrics by Stephen Schwartz and a book by Lindsey Ferrentino, with F. Murray Abraham co-starring. Reviewers lauded the production's lavish design and Chenoweth's powerful performance, though some noted its ambitious scope and tonal shifts. The narrative juxtaposes the Siegels' story with historical allusions to the French monarchy, critiquing modern excess.
Meanwhile, Off-Broadway, Anne Washburn's "The Burning Cauldron of Fiery Fire" premiered at the Vineyard Theatre on November 9, 2025, in a co-production with The Civilians. Directed by Steve Cosson, the play presents an enigmatic narrative set within an intentional community in Northern California. It explores themes of survival, truth, and storytelling in a world grappling with an uncertain future, prompting reflection on societal decay.
Washburn, known for her acclaimed "Mr. Burns, a Post-Electric Play," once again "goes post-apocalyptic" with this new drama. The plot revolves around the community's attempts to conceal the unexpected death of a member, leading to a complex interplay of secrets, rituals, and a play-within-a-play. Critics praised its experimental style and thought-provoking depth, though some found its abstract nature challenging.
These two premieres offer a striking juxtaposition of theatrical experiences, from the grand spectacle and social commentary of "The Queen of Versailles" to the intimate, philosophical exploration of "The Burning Cauldron of Fiery Fire." Both productions significantly contribute to the current theatrical landscape, inviting audiences to reflect on society's aspirations and anxieties through diverse artistic lenses.