Joseph Kahn Reveals 99% of 'ICK' Shot with Real Camera, Blending Practicality with CGI

Director Joseph Kahn has offered a detailed look into the filmmaking philosophy behind his upcoming horror-comedy "ICK," which is slated for a theatrical release from July 27-29, 2025. Kahn, widely recognized for his high-energy music videos and feature films, emphasized a grounded approach, stating that "ICK often uses cgi to generate the monster but the camera is real." He further highlighted the film's reliance on "real world physics and psychology with real sets and actors."A unique aspect of Kahn's direction for "ICK" is his consistent intensity across all scenes. "The way I shoot dialogue is the same as action," he stated. This suggests a dynamic and visually engaging treatment for every moment, regardless of whether it involves a monster or a conversation, contributing to the film's "pure adrenaline" style as described by critics.Kahn described his method as "old school on that level," indicating a preference for tangible elements despite his reputation for cutting-edge digital work. He revealed his deep personal involvement, noting he "camera operated about 99% of ICK," emphasizing the physical nature of capturing shots. This hands-on approach aims to root the fantastical elements within a believable reality, a "quiet victory" he takes pride in when effects are so well executed they go unnoticed.While "ICK" features a CGI monster, Kahn's philosophy prioritizes effects that are seamlessly integrated and unquestionable by the audience. His commitment to practical elements, even when working with budget constraints that necessitate creative solutions like extensive green screen use for complex scenes, underscores his desire for a compelling and believable visual experience."ICK" is positioned as a horror-comedy, satirizing societal apathy and exploring themes of aging and nostalgia. Starring Brandon Routh, Mena Suvari, and Malina Weissman, the film delves into the concept of an unexplained, pervasive "Ick" substance that most inhabitants ignore until it becomes a monstrous threat. Kahn aims to defy genre expectations, inviting audiences with an "adventurous spirit" to experience a film that blends cultural commentary with creature feature madness.